On tasting: Derwent Distilling Co. Stringybark Finish Single Malt, Old Kempton Red Gum Cask Single Malt, Backwoods Single Malt Red Gum Cask and Backwoods Rye Whisky Red Gum Cask
When I first heard about distillers maturing spirit in native Australian wood casks, I was skeptical. Anyone who’s tasted the vast array of native leaves, roots and seeds that grow here will know that the flavours involved can be intimidating.
This is an ancient land, where Australian plants and trees have evolved in isolation for millennia, with many of them adapting to aridity and fire. As a result, Australian woods often have flavours that can take some getting used to: earthy, dry, astringent, nutty and often intensely fragrant. Taste your way through Australian gins and liqueurs infused with native ingredients and you’ll know where I’m coming from.
But when I tried the Derwent stringybark finish, and especially the Backwoods red gum whiskies, reviewed below, my skepticism started to shift (I’ve tried for months to track down some Applewood jarrah whisky, but without success).
I’ve discussed these whiskies with a number of experienced tasters and distillers. Some still argue that it’s not possible to create an Australian wood-matured whisky that’s drinkable: the flavours are off-putting and ‘wrong’, as one distiller said to me.
If these flavours aren’t to your taste, that’s fine. I’m still not sure they’re to mine. But when evaluating them, you’ve got to put aside your oak-matured whisky expectations and approach with a fresh perspective.
If there’s no balance between cask and spirit, and the wood-influence simply dominates the experience, sure, that’s a poor whisky, and there’s one of those below.
But when there is balance and structure, hot damn, it’s an incredible leap forward for the creation of a new Australian whisky signature (see here for our feature on the beginnings of this little native wood whisky movement).
We’ve come from a place where many thought this style wasn’t even possible (because they’re sans oak, you couldn’t call these ‘whisky’ if they were made in the UK). Now, distillers are asking: what other woods can we use? What’s the best way to treat it? Finish or full maturation?
It’s taken years to get here, and there’s still work to be done. But boundaries are being pushed, orthodoxy is being challenged. This is the start of something.