On tasting: Teeling Single Pot Still, Ballykeefe Single Pot Still Single Estate, Dingle Single Pot Still Fourth Release, Transportation Whiskey ‘Flogging Molly’, Hunter Island Pot Still Whisky First Release, Greenspot Single Pot Still, Redbreast 12 Year Old Single Pot Still
So this is pretty exciting. I’m a huge fan of Irish single pot still whiskey, and it’s a real treat to look at a Tasmanian take on this iconic style next to some of Ireland’s finest.
This review is also the start of a broader outlook for Oz Whisky Review. Australian whisky is obviously our primary focus. That’s not changing, and this will always be an Australian whisky resource first and foremost. However, one of the beauties and strengths of the Australian industry is its connectedness to whisky styles and ideas from across the world.
The Tassie pot still whiskies below are a great example of what’s driving my thinking. If we just looked at these whiskies in isolation, it would be difficult to fully grasp the remarkable heritage behind single pot still: what makes the style distinctive, what gives it its identity and unique flavour profile, and where are the differences between the Irish and Australian varieties? What does all that taste like?
This also helps to paint a more detailed portrait of Australia’s role in the world whisky story over the last 150-plus years. For instance, these Tasmanian single pot still whiskies aren’t the first Irish-style ‘pure’ pot still whiskies produced in Australia.
In the 1860s, the Warrenheip Distillery near Ballarat, originally founded by Irishman Robert Dunn, produced a triple distilled pure pot still whisky from a mash of malt, oats and wheat – a common mash bill in Ireland in the early 1800s.
The Victoria Distillery in Melbourne, the original home of Victoria Bitter, also produced a triple distilled whiskey that likely contained unmalted barley in the mash. Other distilleries throughout Victoria and South Australia undoubtedly dabbled in the style in the late 1800s and early 1900s as well (more on that story soon).
Distillers from all over the world share influences and insights, just like they have done for a very long time, and that’s a story I want to start exploring more in these pages.
The reviews below hopefully show some of this transference in action. Damian and Madeleine Mackey of Hunter Island Distillery and John Halton from Transportation Whiskey have studied, travelled, tasted and experimented and brought their own spin to Ireland’s historic style (Tara Distillery on the NSW south coast will soon join them).
I did, however, labour over which Irish single pot still whiskies to include here. Ever since going on a wee whisky tour of Ireland back in 2014, I’ve been quietly obsessed with single pot still, an obsession that was further stoked when Fionnán O’Connor published his incredible book A Glass Apart a year later. Basically, my aim with this review is to give you a solid representation of what’s available, at least in this part of the world, from well established (Midleton) and newer Irish pot still producers (Teeling, Dingle, Balleykeefe) working in the style.
There’s a number of new Irish single pot still whiskies to get around these days, and plenty more on the way – an amazing development considering the style almost died out a few decades back. Now, each new single pot still that’s released opens up a window into the rich history of Irish whiskey making, and it’s brilliant to see Australian distillers adding another dimension to that story.